2,556 Royalty-Free Audio Tracks for "Analog Synthesizer"

Sample and hold + vcf and manual filter sweeps.

Moog sample from a voyager.

Playing with sequencer.

Strange intermission.

Dirty fmaj7 cycling envelope variations. 2nd inversion. Lazy chord patch.

Synth loop created with novation peakkey of f minor108 bpm. Doctor dreamchipoctober 2020.

A fun patch. Notice the connection between speed and tone.

Random series of short high frequency sounds generated by arp odyssey. An accidental "r2 detour".

A modular synth piece. Extra point if you can find a nice part to loop and use :-).

Some noise made to sound like the noise generators used in analog drum synthesizers for things like cymbals. Made with helm, 4 comb filters, and a high-pass filter. Helm to generate square wave dissonance, comb filters to add stereo and more "structured noise" quality, and high pass filter to hide the lower overtones.

Short, resonant logotone or ident sound. Sounds like something that might appear along with a video bumper before an early 80's pbs program.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

Virtual analog (linplug albino) lead multi-sample with a big and upfront sound. Perfectly suited for uptempo dance music and synthpop. The samples have been processed with the nomad factory blue tubes dr2s overdrive and compressed using the sonalksis sv-315 compressor. Sample resolution is 24 bit, 44. 1 khz. All samples in this multi-sample have looppoints added for sustained notes.

Short, resonant logotone or ident sound. Sounds like something that might appear along with a video bumper before an early 80's pbs program.

Patched my little modular synth while it was switched off. Then i switched it on and waited for it to warm up. This was the result.

Single note from my realistic mg-1. The note is c. Warbly/slow subtle vibrato on a muted saw. Feel free to use in anything.

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

Zeitansage Dt. Telekom 1997

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): anianalognote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): round 92note: c2midi note: 36.

Reflections.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): grit chordnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): grit padnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): pleasing fmnote: c2midi note: 36.

From an arp2600.

Working on a program. . .

This is my synth saying hi!.

I'll tell you when the patch is okay.

Based on the logistic equation. . .

I'll tell you when the patch is okay.

A chiptune lead arp i made with gms in fl studio mobile.

A rare combination?.

A patch made on the korg volca bass while i was on vacation in cuba.

A recording. . . It's up to you to "master" it. Use it. Make it worth. Peace.

Abstract sounds created by doug nottingham for richard lerman's sections realization using apple logic, moog voyager and. Com synthesizers.

Abstract sounds created by doug nottingham for richard lerman's sections realization using apple logic, moog voyager and. Com synthesizers.

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

Another beat. . . Made with my modular synth. But a beat is a beat. . . Or something. . .

Ducking with modular synth. Or lets call it audio puzzle. If you dl the file you see what i mean.

Bringing in the noise. If this sound had a title or name it would be that. Bringing in the noise. The sound is made with an all analog modular synth. No fx at all. Not even a spring reverb. I just felt like doing something.

Raw oscillator waves from dave smith instrument's mopho. Pulse-13, asymmetrical square wave. Recorded through a behringer mixer into an mpc. 44. 1k 16-bit.

This is the first of five multi-sampled little phatty's bass sounds. This is a gift for visitors of my blog, synthway. Http://synthway. Wordpress. Com.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 1 is the gliding lead, recorded on the U-He Diva softsynth.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 4 is the pad track.